How Taking a Break Can Improve Your Poetry

 
eyes, sleep and creativity

- A chapter from How To Write Evocative Poetry -

Sometimes I will ‘finish’ a poem, but I won’t be totally satisfied with the result. Something feels off. Incomplete. Forced. Contrived. Or just not ‘me’. When this happens, I sleep on it – literally. I will save the poem and return to it the next day and take another go at it. Often I find that there is something wrong with the meaning, the word choices, the layout, the grammar, or the flow. Most of the time all I need is one day, but sometimes a poem needs weeks, or in the case of Can’t Quite Express (above) seven years.

The break allows your mind to reset and refocus. It is a way to force yourself to detach from the poem and then to see it in a new light. Just one night may be enough to fix those unexplainable issues you feel about your work. If, after a day or so, you haven’t made any changes, chances are that the negative feelings about your poem is coming from an issue of self-worth or confidence about yourself, rather than an issue with your current poem. If you have made changes and are still not totally happy, perhaps a longer break from the poem is necessary for you to get the needed level of detachment to identify and fix it.

I wrote the poem souls entwined and felt it was done - almost. It was projecting the message and feeling that I wanted to express, it was tying the loop with the phrase ‘escape their fate’ and had multiple uses of the rule of 3. But something was off, and I couldn’t quite place it. So, I put the poem away and came back to it the following night, rewording and renaming it to escape their fate. You can decide which version is ‘better’ but personally I like the latter. It feels less forced, less contrived and has a different flow. I feel like it tells a more real story and projects its core meaning better.

souls entwined

souls entwined
same trauma
same pain
same desire to escape their fate

ancestors collectively mourning
lost childhoods
lost freedoms
lost innocence

drawn together
shared suffering
shared knowledge
shared hopes

desperately praying
for a better future
for a break in the cycle
for their children to escape their fate

escape their fate

souls entwined
with a desire
to escape their fate

ancestors
collectively mourning
lost childhoods

disparate people
drawn together
by shared suffering

stumbling
forward
into a new life

fleeing their pasts
unwittingly creating
their futures

they know
what not to do
but not what to do

attempting to avoid
the same mistakes
their parents made

desperately praying
for their children
to escape their fate

Almost all work benefits from the detached perspective granted by sleeping on it. That said, it isn’t always advisable to make extensive changes to a piece after the fact. Creativity is often purest in its initial moments. Take too long to return to a piece and you may find that it feels stale or somehow off – chances are that feeling is arising because you are no longer in the same headspace you were when you created it.

Summary

If you are struggling to finish a piece take some time away from it before returning with fresh eyes. 



This chapter is from the book How To Write Evocative Poetry

 
 
 
Zachary Phillips

Zachary Phillips is a counselor, coach, meditation instructor, author, and poet. He helps entrepreneurs, spiritualists, and survivors identify and release the limiting beliefs that no longer serve. With compassion and insight, he supports them as they navigate dark nights of the soul and find peace, guiding them from surviving to passionately thriving using tips, tools, and techniques that enable them to process the past, accept the present, and embrace the future with positivity and purpose. Zachary is also a qualified teacher, personal trainer, Reiki master, and is currently studying a Master of Counseling.

https://www.zachary-phillips.com
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