Sometimes I will ‘finish’ a poem, but I won’t be totally satisfied with the result. Something feels off. Incomplete. Forced. Contrived. Or just not ‘me’. When this happens, I sleep on it – literally. I will save the poem and return to it the next day and take another go at it…

Consider how you want the poem to ‘look’ on the page. Make an active choice about its alignment, paragraph structure, title, and the use of capitalizations and grammar (or lack thereof). You are the artist and therefore you will want the words on the page to transmit to the reader in a certain way. These choices help to make that happen – of course, the reader is free to take your work however they like! Just be internally consistent within the poem…

I don’t often adhere to the traditional poetic rules and structures. I prefer to write what comes as it comes. However, there is something to be said about writing with restrictions. Restrictions, be they self-imposed, or derived because of the kind of poetry that you are writing, can boost creativity. I think that one of the largest factors causing ‘writers block’ is having too much choice. When faced with a blank page and no prompts or guidance, most newer writers stumble and become overwhelmed. But when they are told to write a haiku on the topic of a cloudy sunrise, suddenly they get some inspiration – the result may or may not be ‘good’ but something is infinitely better than nothing.…

Good writing involves two versions of yourself working on the one piece of work: Artist-You and Editor-You. These two versions of you, must work alone as it is almost impossible to write and edit at the same time.

Firstly, Artist-You gets into the zone, isolates themselves from the world, drinks copious amounts of coffee, does a five-minute headstand, prays to the gods, then does the myriad of other things they feel is necessary for them to get the words going goodly. They write until spent, then they put the piece aside and write something else.…